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Display: 1-12 of 12 Results

Oswald Spengler (1930)

in: Weimar Germany (1918/19–1933)

Moritz Steinschneider (n.d.)

in: Weimar Germany (1918/19–1933)

Banquet for Berlin Bibliophiles, Kroll Opera House (1932)

in: Weimar Germany (1918/19–1933)

Franz Roh, “Post-Expressionist Schema“ (1925)

in: Weimar Germany (1918/19–1933)

László Moholy-Nagy, Bauhaus Books No. 8 (1925)

in: Weimar Germany (1918/19–1933)

Paul Schultze-Naumburg, “Art and Race” (1928)

in: Weimar Germany (1918/19–1933)

László Moholy-Nagy, Book Cover for Erwin Piscator’s Das politische Theater (1929)

in: Weimar Germany (1918/19–1933)

Paul Schultze-Naumburg, Art and Race (1928)

in: Weimar Germany (1918/19–1933)

Hans Surén, Man and Sunlight (1925)

in: Weimar Germany (1918/19–1933)

Elsa Herrmann, This is the New Woman (1929)

in: Weimar Germany (1918/19–1933)

Hjalmar Schacht, “The Colonial Question” (1931)

in: Weimar Germany (1918/19–1933)

Karl Binding and Alfred Hoche, “Permitting the Destruction of Life Unworthy of Living” (1920)

in: Weimar Germany (1918/19–1933)

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German History in Documents and Images
GHDI is an initiative of the German Historical Institute, Washington DC. The project was undertaken in collaboration with the Friends of the German Historical Institute, and with significant support from the Deutsche Forschungsgemeinschaft, the ZEIT-Stiftung Ebelin und Gerd Bucerius, and the Max Kade Foundation, New York.
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