Abstract
The portrait on Hermann Göring’s desk shows his second wife, actress
Emmy Sonnemann, and their daughter Edda (born 1938). Now a father, the
power-obsessed Göring, an unscrupulous careerist, began to fashion
himself as a sentimental family man. Unlike Goebbels and Himmler, Göring
was popular, and after Edda’s birth he saw to it that hundreds of
thousands of postcards showing him with his newborn were printed up for
public distribution. Hitler himself was godfather to the child, whose
baptism and birthdays saw the receipt of countless “gifts”—valuable but
not always voluntary—from individuals and institutions hoping to acquire
Göring’s protection. Since Hitler was not married, Emmy Göring, whose
appearance perfectly corresponded to the “Nordic-Germanic” ideal prized
by the Nazis, shared the role of “first lady” of the Reich with Magda
Goebbels.