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Display: 1-10 of 10 Results

Julius Pinschewer, Kipho: Silent Film Advertising the Cinema and Photography Exhibit in Berlin (1925)

in: Weimar Germany (1918/19–1933)

Hans Surén, Excerpts from Man and Sunlight (1925/27)

in: Weimar Germany (1918/19–1933)

Male Nude Depictions by Artists Frieda Riess and Renée Sintenis (1925)

in: Weimar Germany (1918/19–1933)

Hans Surén, Man and Sunlight (1925)

in: Weimar Germany (1918/19–1933)

Film Poster for Paths to Strength and Beauty (1926)

in: Weimar Germany (1918/19–1933)

Adolf Stein, “Germany’s First Fashion Queen” (1925)

in: Weimar Germany (1918/19–1933)

Erich Mendelsohn, “The International Consensus in New Architectural Thought, or Dynamics and Function” (excerpts, 1923)

in: Weimar Germany (1918/19–1933)

Walter Gropius on the Creative Responsibility of the Architect (1955)

in: Weimar Germany (1918/19–1933)

Wassily Kandinsky, “Dance Curves: On the Dances of Palucca” (1926)

in: Weimar Germany (1918/19–1933)

Walter Gropius and Paul Schultze-Naumburg, “Who Is Right? Traditional Architecture or Building in New Forms” (1926)

in: Weimar Germany (1918/19–1933)

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German Historical Institute Washington Deutsche Forschungsgemeinschaft ZEIT-Stiftung Bucerius
German History in Documents and Images
GHDI is an initiative of the German Historical Institute, Washington DC. The project was undertaken in collaboration with the Friends of the German Historical Institute, and with significant support from the Deutsche Forschungsgemeinschaft, the ZEIT-Stiftung Ebelin und Gerd Bucerius, and the Max Kade Foundation, New York.
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