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Display: 1-12 of 12 Results

Ernst von Salomon, “We and the Intellectuals” (May 1930)

in: Weimar Germany (1918/19–1933)

Franz Schulz, “Film Critique” (April 1929)

in: Weimar Germany (1918/19–1933)

Agnes von Harnack, The Ten Commandments of Women’s Suffrage (January 1919)

in: Weimar Germany (1918/19–1933)

Paula von Reznicek, Resurrection of the Lady (1928)

in: Weimar Germany (1918/19–1933)

Paula and Burghard von Reznicek, The Consummate Adam (1928)

in: Weimar Germany (1918/19–1933)

Elsa Herrmann, This is the New Woman (1929)

in: Weimar Germany (1918/19–1933)

Curt Riess, Vicki Baum as the “New Woman” (retrospective account, 1990)

in: Weimar Germany (1918/19–1933)

Arthur Moeller van den Bruck, “The Third Empire” (1923)

in: Weimar Germany (1918/19–1933)

Hans Ostwald, “A Moral History of the Inflation” (1931)

in: Weimar Germany (1918/19–1933)

Edgar J. Jung, “Germany and the Conservative Revolution” (1932)

in: Weimar Germany (1918/19–1933)

Hugo Bettauer, “The Erotic Revolution” (1924)

in: Weimar Germany (1918/19–1933)

Paula von Reznicek, “The Hand on the Wheel” (1928)

in: Weimar Germany (1918/19–1933)

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German Historical Institute Washington Deutsche Forschungsgemeinschaft ZEIT-Stiftung Bucerius
German History in Documents and Images
GHDI is an initiative of the German Historical Institute, Washington DC. The project was undertaken in collaboration with the Friends of the German Historical Institute, and with significant support from the Deutsche Forschungsgemeinschaft, the ZEIT-Stiftung Ebelin und Gerd Bucerius, and the Max Kade Foundation, New York.
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