Display: 1-18 of 18 Results

Antiauthoritarian Manifesto of the Artistic Avant Garde (January 1961)
in: Two Germanies (1961–1989)

Petition for an Exit Visa (April 20, 1977)
in: Two Germanies (1961–1989)

documenta Modernism (June–October 1964)
in: Two Germanies (1961–1989)

The Social Status of Actors, Musicians, and Visual Artists (1890)
in: Forging an Empire: Bismarckian Germany (1866–1890)

Lovis Corinth, “The Paintings from the Brandenburg March and the Founding of the Berlin Secession” (1903)
in: Wilhelmine Germany and the First World War (1890–1918)

Else Lasker-Schüler, “Oskar Kokoschka” (1913)
in: Wilhelmine Germany and the First World War (1890–1918)

Letter by Ernst Ludwig Kirchner to the Prussian Academy of Art (July 12, 1937)
in: Nazi Germany (1933–1945)

Soldiers Describe Combat IV: Max Beckmann (1915)
in: Wilhelmine Germany and the First World War (1890–1918)

The Writer Monika Maron Comments on the Popularity of Christo and Jeanne-Claude’s Wrapped Reichstag (July 3, 1995)
in: A New Germany (1990–2023)

Bruno Taut, Program of the “Arbeitsrat für Kunst“ (1918)
in: Weimar Germany (1918/19–1933)

Kurt Eisner, “The Socialist Nation and the Artist” (1919)
in: Weimar Germany (1918/19–1933)

Ludwig Meidner, “To All Artists, Musicians, Poets” (January 1919)
in: Weimar Germany (1918/19–1933)

Käthe Kollwitz on the Revolution (1918-19)
in: Weimar Germany (1918/19–1933)

Laszlo Moholy-Nagy, “Painting, Architecture and Gesamtkunstwerk” (1925)
in: Weimar Germany (1918/19–1933)

Kurt Weill on Bertolt Brecht (1927)
in: Weimar Germany (1918/19–1933)

August Sander on Photography (November 1927)
in: Weimar Germany (1918/19–1933)

Käthe Kollwitz on Sexuality and Gender (1919-1932)
in: Weimar Germany (1918/19–1933)

Raoul Hausmann, “The German PHILISTINE Is Annoyed” (1919)
in: Weimar Germany (1918/19–1933)