Display: 676-700 of 718 Results

Thomas Mann, “Culture and Socialism” (1927)
in: Weimar Germany (1918/19–1933)

Raoul Hausmann, “The German PHILISTINE Is Annoyed” (1919)
in: Weimar Germany (1918/19–1933)

Alice Gerstel, “Jazz Band” (1922)
in: Weimar Germany (1918/19–1933)

Stefan George, “Man and Faun” (1928)
in: Weimar Germany (1918/19–1933)

Max Beckmann, Nude Dance, from the “Berlin Travels” Cycle (1922)
in: Weimar Germany (1918/19–1933)

Stefan George, “The Light” (1928)
in: Weimar Germany (1918/19–1933)

“Cathedral,” Title Page by Lyonel Feininger for Walter Gropius’ Bauhaus Manifesto and Program (April 1, 1919)
in: Weimar Germany (1918/19–1933)

Wassily Kandinsky, “Dance Curves: On the Dances of Palucca” (1926)
in: Weimar Germany (1918/19–1933)

George Grosz, “Among Other Things, a Word for German Tradition” (1931)
in: Weimar Germany (1918/19–1933)

Helene Stöcker, “Marriage as a Psychological Problem” (1929)
in: Weimar Germany (1918/19–1933)

Hanns Kropff, “Women as Shoppers” (1926)
in: Weimar Germany (1918/19–1933)

Hugo Bettauer, “The Erotic Revolution” (1924)
in: Weimar Germany (1918/19–1933)

Edlef Köppen, “The Magazine as a Sign of the Times” (1925)
in: Weimar Germany (1918/19–1933)

Gabriele Tergit, “Paragraph 218: A Modern Gretchen Tragedy” (1926)
in: Weimar Germany (1918/19–1933)

Anita, “Sex Appeal: A New Catchword for an Old Thing” (1928)
in: Weimar Germany (1918/19–1933)

Berliner Illustrirte Zeitung: “Enough is Enough! Against the Masculinization of Women” (1925)
in: Weimar Germany (1918/19–1933)

Paula von Reznicek, “The Hand on the Wheel” (1928)
in: Weimar Germany (1918/19–1933)

Walter Gropius and Paul Schultze-Naumburg, “Who Is Right? Traditional Architecture or Building in New Forms” (1926)
in: Weimar Germany (1918/19–1933)

Erich Mendelsohn, “The Modern Commercial Building” (1929)
in: Weimar Germany (1918/19–1933)

Grete Lihotzky, “Rationalization in the Household” (1926-27)
in: Weimar Germany (1918/19–1933)

Hilde Walter, “Twilight for Women?” (1931)
in: Weimar Germany (1918/19–1933)

Lola Landau, “The Companionate Marriage” (1929)
in: Weimar Germany (1918/19–1933)

Harold Nicolson, “The Charm of Berlin” (1929)
in: Weimar Germany (1918/19–1933)

“One Hundred and Fifty per Minute,” Berliner Tageblatt (September 4, 1928)
in: Weimar Germany (1918/19–1933)

Max Brod, “Women and the New Objectivity” (1929)
in: Weimar Germany (1918/19–1933)