Abstract
Lotte Lenya (1898-1981) was born Karoline WIlhelmine
Charlotte Blamauer in Vienna and moved to Berlin in 1921 to find work in the
theater. In 1926, she married the composer Kurt Weill and in 1928 played the
role of Jenny in the first performance of Weill and Bertolt Brecht’s epochal
The Threepenny Opera, which would establish her
as one of the best woman interpreters of the Brecht-Weill oeuvre. She was
cast in other Brecht-Weill works including the opera Rise
and Fall of the City of Mahagonny and the ballet chanté The Seven Deadly Sins. Lenya responded
enthusiastically to Brecht and Weil’s efforts to create new theatrical forms
that captured the turbulence and conflicts of the modern world, and that
staked out a more participatory culture and politics. Their collaboration
has become a legend in musical theater history and an icon of Weimar
culture.