Sources

  1. Richard Huelsenbeck, “Dadaist Manifesto” (1918)

  2. Raoul Hausmann, “The German PHILISTINE Is Annoyed” (1919)

  3. Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany (1919)

  4. “Cathedral,” Title Page by Lyonel Feininger for Walter Gropius’ Bauhaus Manifesto and Program (April 1, 1919)

  5. Herbert Kühn, “Expressionism and Socialism” (May 1919)

  6. Ernst Toller in Niederschönenfeld Prison (1919-24)

  7. Cover of the Dada Almanach (1920)

  8. From the Dada Almanach (1920)

  9. Otto Dix, The Skat Players (1920)

  10. Walter Gropius, Sommerfeld House (1920-22)

  11. Johannes Itten (1920)

  12. Paul Wegener, The Golem: How He Came into the World (1920)

  13. Ernst Lubitsch, Kohlhiesel’s Daughters (1920)

  14. Robert Wiene, The Cabinet of Dr. Caligari (1920)

  15. Scene from The Cabinet of Dr. Caligari by Robert Wiene (1920)

  16. Arnold Zweig on Art and Politics (1921)

  17. George Grosz, Waltz Dream (1921)

  18. Cover, George Grosz, The Face of the Ruling Class (1921)

  19. Max Beckmann, Nude Dance, from the “Berlin Travels” Cycle (1922)

  20. Alice Gerstel, “Jazz Band” (1922)

  21. Paul Hindemith, “Shimmy” and “Ragtime” from Suite 1922 for Piano op. 26 (1922)

  22. Rainer Maria Rilke with the Painter Baladine Klossowska and her Son Balthus (1922)

  23. F.W. Murnau, Nosferatu (1922)

  24. Theodor Bogler, Model for a Combination Teapot for Mass Produktion (1923)

  25. Benita Koch-Otte, Rug for a Children's Bedroom (1923)

  26. Max Krehan’s Ceramics Workshop at the Weimar Bauhaus (1924)

  27. Max Reinhardt (1924)

  28. Elisabeth Bergner (1920s)

  29. Otto Dix, Storm Troops Advance under Gas Attack (1924)

  30. Wilhelm Furtwängler and the Berlin Philharmonic in the Old Philharmonic on Bernburger Strasse (1925)

  31. Franz Roh, “Post-Expressionist Schema“ (1925)

  32. Franz Roh (1926)

  33. Fritz Lang, “The Future of the Feature Film in Germany” (1926)

  34. Laszlo Moholy-Nagy, “Painting, Architecture and Gesamtkunstwerk” (1925)

  35. László Moholy-Nagy with Metalworking Students at the Weimar Bauhaus (1924-25)

  36. László Moholy-Nagy, Bauhaus Books No. 8 (1925)

  37. Walter Gropius, Architect and Founder of the Bauhaus (1926)

  38. Group Portrait of Bauhaus-Masters in Dessau (1926)

  39. Oskar Schlemmer, Triadic Ballet Costumes from the Revue Wieder Metropol (1926)

  40. Erich Consemüller, Bauhaus-Scene (1926)

  41. Wassily Kandinsky, “Dance Curves: On the Dances of Palucca” (1926)

  42. László Moholy-Nagy, Photogram (1926)

  43. George Grosz, Pillars of Society (1926)

  44. Thomas Mann, “Culture and Socialism” (1927)

  45. Weaving Workshop at the Dessau Bauhaus (1927)

  46. Marcel Breuer, Nesting Tables (1927)

  47. Josef Albers Evaluates Student Work (c. 1928)

  48. Ernst Barlach, Der Schwebende (1927)

  49. Arnold Schoenberg, String Quartet No. 3 (op. 30) (1927)

  50. “Leb wohl, mein Schatz” from Ernst Krenek’s Opera Jonny spielt auf (1927)

  51. Kurt Weill on Bertolt Brecht (1927)

  52. Overture and “The Ballad of Mack the Knife” from The Three Penny Opera (1928)

  53. Bertolt Brecht (right) with Kurt Weill and Lotte Lenya (1930)

  54. Stefan George, “The Light” (1928)

  55. Stefan George (n.d.)

  56. Paul Schultze-Naumburg, “Art and Race” (1928)

  57. Paul Schultze-Naumburg, Art and Race (1928)

  58. László Moholy-Nagy, Pont Transbordeur, Marseilles (1929)

  59. Stefan George, “Man and Faun” (1928)

  60. Radio Play: SOS...rao rao...Foyn - “Krassin” Rescues “Italia” (1929)

  61. László Moholy-Nagy, Book Cover for Erwin Piscator’s Das politische Theater (1929)

  62. A Meeting of the Poetry Section of the Prussian Academy of Art (November 1929)

  63. Arnold Schönberg, “My Public” (1930)

  64. The Composer Arnold Schönberg (c. 1930)

  65. George Grosz, “Among Other Things, a Word for German Tradition” (1931)

  66. Two Photomontages by Artist John Heartfield (1931)

  67. Gerhart Hauptmann on His Lecture Tour through the United States (1932)

  68. Felix Gilbert on Berlin Theaters (Retrospective Account, 1988)