Source
I. “Sermon for the People of a Metropolis” (1906)
Yes, the big city makes one small.
I look up with suffocated
desire
through a thousand corporal fumes to the sun;
and
even my father, who looks like a magician
between the giants of
his pine and oak forest, is just a countrified
little old man
between these swaggering walls.
O let yourselves be moved, you
in the thousands!
Once I saw you on a starlit winter
night
between the dreary rows of gas lit street lamps
like
a gigantic army worm
seeking escape from your
affliction;
but then you crept into a rented hall
and
listened to words reverberating through smoke and beer
stench
about freedom, equality, and the like.
Rather head
out and watch the trees grow:
they are firmly rooted and allow
themselves to be cultivated,
and each one leans differently to
the light.
You, of course, have feet and fists,
for you no
forester has to make space,
So head out, get yourselves land!
Land! Move!
Forward march!—
Source: Richard Dehmel, “Predigt ans Großstadtvolk”, (1906), Aber die Liebe: Meine Verse. Berlin, 1906, p. 171; reprinted in Jürgen Schutte and Peter Sprengel, Die Berliner Moderne 1885–1914. Stuttgart, 1987, pp. 344–46.
Translation: Richard Pettit
II. “The New Dignity” (1903)
A Parable
An artist had become a German professor,
with
the prospect of further offices, titles and decorations;
and
because he was by nature a sculptor,
there appeared before him
a whole horde
of great, greatest and greatest of all
animals,
which he was accustomed to modeling,
in order to
congratulate him most graciously.
A baboon growled: Mr.
Professor,
I hope you are now chiseling better and
better!
Yes, yelled a donkey: one should perform one’s
difficult duties,
Mr. Professor, more and more nobly.
An
old plodding workhorse
whinnied with a contorted
mouth:
Dear Mr. Professor, it is essential to carve in
wood
with ever more truthfulness the suffering of
existence.
A disciplined watchdog grumbled: bow wow—
A tom
cat yowled in between: meow, meow—
Mr. Professor, the world is
quite full of horror,
one must cut it clear to make it more
beautiful.
Ugh! grunted a pig: I would like to plead,
Mr.
Professor, for morals that are ever purer.
A few camels begged
most strenuously:
Worthy Mr. Professor, kindly excuse
us,
we recommend that you cast life’s malice
ever more
clearly in bronze.
An elephant sounded his trumpet:
Highly
esteemed Mr. Professor, I represent
the old wisdom of the
Brahmins;
allow yourself to anticipate the ever more
profound!
Eeech—squeaked one of two rabbits:
we want to
advance ourselves higher and higher!
Four amused hamsters,
however, cowered in a circle,
they snuffled in their overfed
fashion:
Dear Mr. Professor, need teaches us to
pray,
learn to knead your clay ever more
purposefully!
And—warned a gobbling turkey:
Be, of course,
more and more orderly!
Just the opposite! screeched a bearded
vulture:
Be, naturally, more and more free!
A lion
bellowed: I recommend only that you
assume an ever more proud
posture!
A kangaroo hopping mysteriously
Walzed by and
whistled its advice:
Mr. Professor, they only want to confuse
you,
You must elaborate the form ever more elegantly.
A
clever stork gently raised its leg
and chattered quite
deliberately: no, no,
Highly regarded Mr. Professor, what
counts on earth
is just to become more and more
simple.
And so the animals, large and small,
wild and tame
all together,
gave Mr. Professor their gracious
advice,
when suddenly from this congregation of
well-wishers
a beautifully adorned bird of paradise
flew
up and chuckled: as I have come to know you,
dear artist
friend, you will now pretend to yourself,
that you should
embellish our Goddess nature,
and you will resent your new
dignity
and want to become ever more crusty.
And then Mr.
Professor growled something into his beard
and looked genuinely
determined
and stretched in dismay all four limbs.
There
appeared at last in his quarters
the wildest and most tame of
animals:
a woman. She spoke: dear husband, your dignity
is
of course an artificial dignity.
But then we humans never
really act
as naturally as the rest of the beasts;
even
the naked bride wears on her finger
a little ring as a chaste
vow.
Look, with all our clothes, adornments and medals
the
old sorceress wants to trick nature
so that her earthly costume
ball
does not seem even more bestial.
And so, artist,
simply let yourself be glorified;
and to keep your worshippers
from becoming rude,
learn how to conduct yourself as a worthy
role model,
since man wants—always to become more
human.
Then the new Mr. Professor laughed,
bowed to his
wife adoringly
and clipped his heavenly hair.
Since this
time the high professors
of the German art academies
are
no longer denounced as beasts of burden.
Source: Richard Dehmel, „Die neue Würde“ (1903), in Gesammelte Schriften in drei Bänden. Berlin, 1913, vol. 1, pp. 106–09.