Abstract
All art that did not correspond to the National Socialist aesthetic
was considered “degenerate.” This expansive category included modern and
avant-garde works by the Expressionists, Impressionists, Surrealists,
and the Fauves, works by artists of Jewish descent, and socially
critical works, such as those by Käthe Kollwitz. By the summer of 1937,
the large-scale confiscation of “degenerate” art from German public
collections was already underway. Confiscated works were held in depots,
such as the one pictured below, and then sold abroad, providing the
regime with a source of foreign currency. On June 30, 1939, more than
125 confiscated works, including the famous van Gogh self-portrait seen
below, were put up for auction at the Hotel National in Lucerne,
Switzerland. Van Gogh’s Self-Portrait
Dedicated to Paul Gauguin (1888) had been confiscated from the Neue
Staatsgalerie in Munich; it fetched 175,000 Swiss francs at auction,
30,000 more than the asking price. To the left of the self-portrait is a
painting from Gauguin’s Tahitian period; under it is Picasso’s
Head of a Woman (1922).