Abstract

All art that did not correspond to the National Socialist aesthetic was considered “degenerate.” This expansive category included modern and avant-garde works by the Expressionists, Impressionists, Surrealists, and the Fauves, works by artists of Jewish descent, and socially critical works, such as those by Käthe Kollwitz. By the summer of 1937, the large-scale confiscation of “degenerate” art from German public collections was already underway. Confiscated works were held in depots, such as the one pictured below, and then sold abroad, providing the regime with a source of foreign currency. On June 30, 1939, more than 125 confiscated works, including the famous van Gogh self-portrait seen below, were put up for auction at the Hotel National in Lucerne, Switzerland. Van Gogh’s Self-Portrait Dedicated to Paul Gauguin (1888) had been confiscated from the Neue Staatsgalerie in Munich; it fetched 175,000 Swiss francs at auction, 30,000 more than the asking price. To the left of the self-portrait is a painting from Gauguin’s Tahitian period; under it is Picasso’s Head of a Woman (1922).

Storage Room in Niederschönhausen Castle for Confiscated Works of Degenerate Art, including Works by Vincent van Gogh, Pablo Picasso, and Paul Gauguin (1937)

Source

Source: Storage room for confiscated “degenerate art” in Niederschönhausen Palace. Works by Vincent van Gogh, Pablo Picasso, Henri Matisse. Date: 1937. Unknown photographer.
bpk-Bildagentur, image number 30010675. For rights inquiries, please contact Art Resource at requests@artres.com (North America) or bpk-Bildagentur at kontakt@bpk-bildagentur.de (for all other countries)

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