Abstract
Georg Philipp Telemann (1681-1767), who is considered one of the most
prolific composers in Western music, was born in Magdeburg, which was
part of the Electorate of Brandenburg. Like most composers of the
Baroque era, he received his first musical training by learning to play
the organ at a local church. In 1701 he enrolled at Leipzig University
to study law, but he soon began composing works for several of Leipzig’s
Lutheran churches. After a brief stint in Eisenach, Telemann moved to
Frankfurt am Main in 1712, where he became music director for two of the
city’s main churches. A highly productive and successful composer,
Telemann wrote music for churches and civic ceremonies as well as for
ensembles and individual musicians. In 1721, he moved to Hamburg, where
he was appointed cantor of the famous Johanneum Latin School and music
director of the city’s five major churches. He was to spend the rest of
this life in Hamburg and shape the city’s musical culture.
Telemann
composed this concerto for recorder and bassoon in 1750. More than any
other composer of the German Baroque era, Telemann is credited with
elevating the status of the recorder through his compositions by
exploring the instrument’s full range.