Abstract
The French revolutionary government made skillful use of various
symbols, means, and tactics to win the public over to its cause. In its
attempts to spark popular enthusiasm, the French national anthem, the
“Marseillaise,” served the government well. The song was sung by
inexperienced French revolutionary troops who, after suffering some
initial defeats, began to win a series of important victories against
the professionally trained Prussian and Austrian armies in the fall of
1792. Austrian composer Franz Joseph Haydn (1732-1809) eventually
provided his government with its own rousing
anti-Marseillaise, “God Save Emperor
Francis” [“Gott erhalte Franz den Kaiser”], which was first performed in
1797. The song became the Austrian and later (with lyrics from August
Heinrich Hoffmann von Fallersleben [1798-1874]) the German national
anthem. This pro-monarchist composition stands as a musical complement
to the large-scale anti-revolutionary publicistic efforts by figures
such as Friedrich von Gentz and others.