Abstract
In 1792, Johann Wolfgang von Goethe (1749-1832) accompanied his
patron, Duke Karl August of Saxe-Weimar, on the German campaign against
revolutionary France. In his appointed role as campaign historian,
Goethe witnessed many battles, not least the historic Battle of Valmy.
During the campaign, he also executed this famous watercolor, a
depiction of a so-called liberty pole in the town of Schengen, which
lies in the Mosel region at the border between the Duchy of Luxemburg
and the French Republic. The inscription reads
“Passans, cette terre est libre”
[“Passers-by, this land is free”]. Like many of his contemporaries,
Goethe had accepted the revolution in its initial moderate,
constitutional-monarchical phase but rejected its subsequent
development. He recognized, however, that it was an event of momentous
consequence. After returning from the campaign, Goethe gave this
watercolor to his friend Friedrich Heinrich Jacobi (1743-1819), a writer
and philosopher who was critical of Enlightenment rationalism. The two
had corresponded during Goethe’s absence. In one oft-quoted letter to
Jacobi from August 18, 1792, Goethe suggested that he had grown weary of
the whole affair and had reached the point where he cared very little
about the outcome.