Display: 1-25 of 26 Results

“Anna Müller-Lincke Runs for Office” (1919)
in: Weimar Germany (1918/19–1933)

“Housewives to the Ballot Boxes” (December 5, 1924)
in: Weimar Germany (1918/19–1933)

Election Campaign Posters Targeting Women Voters (1930/1932)
in: Weimar Germany (1918/19–1933)

Otto Dix, Center Panel of Metropolis (Triptych) (1927-28)
in: Weimar Germany (1918/19–1933)

Ernst Lubitsch, Kohlhiesel’s Daughters (1920)
in: Weimar Germany (1918/19–1933)

Weaving Workshop at the Dessau Bauhaus (1927)
in: Weimar Germany (1918/19–1933)

Male Nude Depictions by Artists Frieda Riess and Renée Sintenis (1925)
in: Weimar Germany (1918/19–1933)

Jazz Band and Mae Murray in the Silent Film Circe The Enchantress (1924)
in: Weimar Germany (1918/19–1933)

Claire Waldoff, “Raus mit den Männern aus’m Reichstag” (1926)
in: Weimar Germany (1918/19–1933)

Marlene Dietrich in The Blue Angel (1930)
in: Weimar Germany (1918/19–1933)

Max Schmeling in Training (1931)
in: Weimar Germany (1918/19–1933)

His Learned Wife (1919)
in: Weimar Germany (1918/19–1933)

Conrad Veidt and Magnus Hirschfeld in Different from the Others by Richard Oswald (1919)
in: Weimar Germany (1918/19–1933)

Antonie Brandeis-Reute, “Women’s Colonial School in Rendsburg” (1927)
in: Weimar Germany (1918/19–1933)

Paula von Reznicek, Resurrection of the Lady (1928)
in: Weimar Germany (1918/19–1933)

Paula and Burghard von Reznicek, The Consummate Adam (1928)
in: Weimar Germany (1918/19–1933)

Paula von Reznicek, Resurrection of the Lady (1928)
in: Weimar Germany (1918/19–1933)

Elsa Herrmann, This is the New Woman (1929)
in: Weimar Germany (1918/19–1933)

Louise Brooks in Pandora’s Box by G.W. Pabst (1929)
in: Weimar Germany (1918/19–1933)

Curt Riess, Vicki Baum as the “New Woman” (retrospective account, 1990)
in: Weimar Germany (1918/19–1933)

Helene Stöcker, “Marriage as a Psychological Problem” (1929)
in: Weimar Germany (1918/19–1933)

Hugo Bettauer, “The Erotic Revolution” (1924)
in: Weimar Germany (1918/19–1933)

Berliner Illustrirte Zeitung: “Enough is Enough! Against the Masculinization of Women” (1925)
in: Weimar Germany (1918/19–1933)

Paula von Reznicek, “The Hand on the Wheel” (1928)
in: Weimar Germany (1918/19–1933)

Hilde Walter, “Twilight for Women?” (1931)
in: Weimar Germany (1918/19–1933)