Abstract
Helmut Schmidt was the first federal chancellor to occupy the new
Chancellery in Bonn, which was completed in 1976. With its consciously
understated, matter-of-fact architecture, the Chancellery reminded
Schmidt of “a savings bank in the Rhineland.” Thus, he devoted special
attention to the interior decoration of his new offices: as an
expression of the Federal Republic’s cultural-political and historical
identity, Schmidt installed works by Ernst Ludwig Kirchner, Erich
Heckel, and other artists associated with classical modernism, a
movement that the National Socialists had defamed as “degenerate.” As
can be seen in this photograph, Schmidt also had a portrait of SPD
co-founder August Bebel hung behind his desk.