Abstract
Der Golem (distributed as
The Monster of Fate in the U.S. at
the time) was the first in a trilogy of films on the subject directed by
Paul Wegener. Both Wegener and Henrik Galeen, who co-wrote and
co-directed this film with him, became influential figures in the
development of Expressionist film. Both also star in the film, with
Wegener playing the title figure. The plot of
Der Golem was inspired by a Jewish
folk tale about a rabbi who creates a figure from clay (the Golem) to
protect his Jewish community from antisemitic persecution. The film was
likely inspired by Gustav Meyrink’s novel
Der Golem, which had first been
published in serialized form between 1913 and 1914, introducing a wider,
non-Jewish audience to this Jewish folklore motif. In this film version,
an antiques dealer comes across the Golem (a clay statue brought to
life) and uses it as a servant: but the Golem then falls in love with
his daughter, and when its love is unrequited, it goes on a murderous
rampage. This first of the three Golem films is considered partially
lost. The clip featured here shows the surviving fragments.