Abstract
These scenes from early January 1919 show some of the clashes
instigated by armed revolutionary soldiers and civilians who advocated a
socialist republic organized around workers’ and soldiers’ councils,
rather than a nationwide election for a National Assembly to govern the
country and draft a new constitution. The uprising began on January 5,
precipitated by the Prussian government’s decision to fire a far-left
politician, Emil Eichhorn (USPD), from his position as Berlin’s Chief of
Police, which he had only held for two months. The government accused
Eichhorn of having supported a revolutionary group of mutinying sailors
instead of the provisional government during a December disturbance two
weeks earlier. In a much larger sense, though, the January
street-fighting reflected a violent continuation of the deep and
passionate debate on the German political left over whether the country
should pursue a moderate path toward a parliamentary democracy or a more
radical one toward a socialist system oriented around local councils. By
the evening of January 5, armed insurgents had occupied the offices of
the SPD newspaper Vorwärts as well as
those of the other leading newspapers in the capital, and a
revolutionary committee under the leadership of Karl Liebknecht and Otto
Ledebour had issued a statement that unilaterally pronounced the
provisional Council of People's Deputies illegitimate and thus deposed.
After initial negotiations between the Social Democratic government and
the insurrectionists to find a peaceful resolution had broken down, the
provisional head of Germany’s defense ministry, Gustav Noske (SPD),
ordered the country’s army—as well as units of the Freikorps— to put
down the uprising by force. The heaviest fighting lasted until January
12, but continued violence—including the Freikorps’s assassination of
the two leading far-left politicians, Rosa Luxemburg and Karl
Liebknecht—dominated headlines well past the middle of the month. The
film company Messter-Woche produced a
special edition of its weekly newsreel in order to cover these events,
serving as a critical source of information at a time when the daily
newspapers themselves could not publish due to the revolutionaries’
occupation of their presses.