Abstract
Austrian composer Joseph Haydn (1732-1809) is generally considered
the “Father of the Symphony,” but he also made significant contributions
to the development of chamber music. A musically gifted child, Haydn
began his training as a chorister at the age of five. While singing in
the choir of Vienna’s Stephansdom, he also learned to play several
instruments and studied composition. After struggling to make a living
as a freelance musician for about ten years, Haydn was offered the
position of deputy music director at the Esterházy court in 1761 and
became its music director five years later. A very wealthy and
influential Hungarian aristocratic family, the Esterházys greatly
appreciated and promoted Haydn’s work and music and even provided him
with his own orchestra. He spent most of his career, from 1761 to 1790,
in their service.
Featured here is the first movement (Allegro) from Haydn’s Symphony
no. 48, composed around 1769. In the nineteenth century it was given the
nickname “Maria Theresa” based on a claim that it was performed when the
empress visited Esterház Castle. However, recent research has shown that
it was most likely Haydn’s later Symphony no. 50 that was performed on
that occasion.