English
Deutsch
GHDI Extra
The Project
GHDI Extra
The Project
About the Project
Editors
GHI Project Team
Sponsors and Partners
Project History
Terms and Conditions
English
Deutsch
1500-1648
1648-1815
1815-1866
1866-1890
1890-1918
1918/19-1933
1933-1945
1945-1961
1961-1989
1990-2023
Content Notice
: This site includes sources you may find offensive or even harmful.
Learn more...
Dismiss
✕
Chapter 3
Culture
Home
Forging an Empire: Bismarckian Germany (1866-1890)
Chapter (3/7)
Sources
Ferdinand Freiligrath, “Hurrah, Germania!” (July 25, 1870)
Children’s Board Game Depicting the Austro-Prussian War of 1866 (1866)
Theodor Fontane on German Sentiment during the War with France (August 5, 1870)
Otto von Bismarck, Forging German Unity (c. 1880)
Allegorical Mural to Peace and Kaiserdom (1870s)
Jacob Burckhardt on German Sentiment during and after the War with France (1870–72)
Historian Jakob Burckhardt (c. 1894)
Adolph Menzel, Departure of King Wilhelm I for the Army on 31. July 1870 (1871)
Theodor Fontane, “On the Cologne Cathedral Festivities” (October 15, 1880)
Rededication of the Cologne Cathedral (October 15, 1880)
Gustav Freytag on the Moral Verdict Delivered by Victory over France (1887)
Dedication Ceremonies for the Berlin Victory Column (September 2, 1873)
The Berlin Victory Column (c. 1905)
Anton von Werner, The Opening of the Reichstag in the White Room of the Berlin Palace by Wilhelm II on 25. June 1888 (1893)
Friedrich Nietzsche on Germany’s Victory over France and the “Cultural Philistine” (1873–76)
Germania at the German Shooting Festival in Munich (1881)
The Philosopher Friedrich Nietzsche (1868)
Theodor Fontane on Germany’s Historical Epochs and Aristocratic Decline: The Stechlin (1899)
Novelist Theodor Fontane (1890)
Paul de Lagarde on Liberalism, Education, and the Jews: German Writings (1886)
Alfred Lichtwark, Inaugural Address as Director of Hamburg’s Kunsthalle (December 9, 1886)
Max Liebermann, The Twelve-Year-Old Jesus in the Temple (1879)
Max Liebermann, The Net-Menders (1887–89)
Hans von Marées, Oarsmen (1873)
The National Gallery, Berlin (Dedicated in 1876)
Berlin Jubilee Art Exhibition (1886)
Members of the Association of Berlin Artists (June 25, 1886)
Ferdinand Avenarius on the Fine Arts: Inaugural Issue of Der Kunstwart (October 1, 1887)
Giovanni Boldini, Adolph Menzel (1895)
Anton von Werner and Adolph Menzel (c. 1900)
Adolph Menzel, Studio Wall (1872)
Arnold Böcklin, Self-Portrait with Death playing the Fiddle (1872)
Arnold Böcklin, Island of the Dead [Die Toteninsel] (1883)
Arnold Böcklin, In the Play of the Waves (1883)
Theodor Storm on the Genre of the Novella (1881)
Changes in German Vernacular Language (1884)
German-Language Book Production in Central Europe (1840–90)
The German Booksellers’ Bourse in Leipzig (1861)
Illustrated Periodicals as a Means of Popular Education (1868)
The Berlin Intelligenzblatt Hits the Streets (1878)
The Influence of Lending Libraries on the Sale of Novels (1884)
Satirical Poem about “Founding Era” Speculators (c. 1873)
Theodor Fontane on Changing Public Tastes in the Theater (1878–89)
Berlin Society Transformed: Heinrich Mann, Berlin: The Land of Cockaigne (1900)
Gerhart Hauptmann, Before Daybreak, First Performed to a Scandalized Audience (October 20, 1889)
Playbill for Gerhart Hauptmann’s Before Daybreak (October 20, 1889)
The Social Status of Actors, Musicians, and Visual Artists (1890)
Johannes Brahms, A German Requiem, Opus 45 (1868)
Leipzig Concert Hall (Gewandhaus), Exterior (1884)
Leipzig Concert Hall (Gewandhaus), Interior (1884)
A Patriotic Song from the Franco-Prussian War: The Watch on the Rhine (1840/54)
August Heinrich Hoffmann von Fallersleben, Founding Songs (1872)
Richard Wagner, What is German? (1865/78)
Franz von Lenbach, Richard Wagner (1894)
Reasons to Forego a Performance of Wagner’s Parsifal at Bayreuth (July 23, 1889)
Society
Religion, Education, Social Welfare