Display: 51-75 of 75 Results

Johann Hermann Schein, Suite no. 2 from Banchetto musicale (1617)
in: From the Reformations to the Thirty Years’ War (1500–1648)

Felix Gilbert on the Legacies of the Revolution (Retrospective Account, 1988)
in: Weimar Germany (1918/19–1933)

Stefan Zweig, “The Monotonization of the World” (1925)
in: Weimar Germany (1918/19–1933)

Friedrich Sieburg, “Worshipping Elevators” (1926)
in: Weimar Germany (1918/19–1933)

Thomas Mann, “Against Thickheadedness and Retrograde Behavior: A Wish Made to Humanity” (1927)
in: Weimar Germany (1918/19–1933)

Thomas Mann on the “Jewish Question” (1921)
in: Weimar Germany (1918/19–1933)

Fritz Lang, “The Future of the Feature Film in Germany” (1926)
in: Weimar Germany (1918/19–1933)

Wilhelm Furtwängler and the Berlin Philharmonic in the Old Philharmonic on Bernburger Strasse (1925)
in: Weimar Germany (1918/19–1933)

Felix Gilbert on Berlin Theaters (Retrospective Account, 1988)
in: Weimar Germany (1918/19–1933)

Fritz Wildung, “Sport is the Will to Culture” (1926)
in: Weimar Germany (1918/19–1933)

Frank Warschauer, “The Future of Opera on the Radio” (1929)
in: Weimar Germany (1918/19–1933)

The Art of the Radio Play: Four Examples (1931)
in: Weimar Germany (1918/19–1933)

Rudolf Kayser, “Americanism” (1925)
in: Weimar Germany (1918/19–1933)

Arnold Schönberg, “My Public” (1930)
in: Weimar Germany (1918/19–1933)

Thomas Mann, “Culture and Socialism” (1927)
in: Weimar Germany (1918/19–1933)

Alice Gerstel, “Jazz Band” (1922)
in: Weimar Germany (1918/19–1933)

Stefan George, “Man and Faun” (1928)
in: Weimar Germany (1918/19–1933)

Stefan George, “The Light” (1928)
in: Weimar Germany (1918/19–1933)

Edlef Köppen, “The Magazine as a Sign of the Times” (1925)
in: Weimar Germany (1918/19–1933)

Max Brod, “Women and the New Objectivity” (1929)
in: Weimar Germany (1918/19–1933)

From the 69th Program of the “Cultural League for the Democratic Renewal of Germany” (June 1945)
in: Occupation and the Emergence of Two States (1945–1961)

Stefan Heymann, “Cosmopolitanism and Formalism” (December 1, 1949)
in: Occupation and the Emergence of Two States (1945–1961)

“At the Border Movie Theaters: With Rubbish for Freedom!” (April 1956)
in: Occupation and the Emergence of Two States (1945–1961)

Bertolt Brecht’s “Herr Puntila and his Man Matti” by the Berliner Ensemble (1949)
in: Occupation and the Emergence of Two States (1945–1961)

Presentation of the Logo for the Project “Weimar – European Capital of Culture, 1999” (March 20, 1997)
in: A New Germany (1990–2023)