Display: 1-13 of 13 Results

Pro and contra Jazz: Joachim-Ernst Behrendt and Theodor W. Adorno (1953)
in: Occupation and the Emergence of Two States (1945–1961)

Interview with Louis Armstrong: “They Cross the Iron Curtain to Hear American Jazz” (December 1955)
in: Occupation and the Emergence of Two States (1945–1961)

The Jazz Debate in the GDR (1955)
in: Occupation and the Emergence of Two States (1945–1961)

“The Great Head-wagging about Young People” (1956)
in: Occupation and the Emergence of Two States (1945–1961)

Otto Dix, Center Panel of Metropolis (Triptych) (1927-28)
in: Weimar Germany (1918/19–1933)

Paul Hindemith, “Shimmy” and “Ragtime” from Suite 1922 for Piano op. 26 (1922)
in: Weimar Germany (1918/19–1933)

Frank Warschauer, “Jazz: On Whiteman’s Berlin Concerts” (June 1926)
in: Weimar Germany (1918/19–1933)

Jazz Band and Mae Murray in the Silent Film Circe The Enchantress (1924)
in: Weimar Germany (1918/19–1933)

Cover of the Sheet Music for Wang Wang Blues by Paul Whiteman and his Orchestra (1926)
in: Weimar Germany (1918/19–1933)

In a Berlin Jazz Bar (1930)
in: Weimar Germany (1918/19–1933)

Alice Gerstel, “Jazz Band” (1922)
in: Weimar Germany (1918/19–1933)

Article about the Hamburg Club “Existenzialistenkellerchen” (1952)
in: Occupation and the Emergence of Two States (1945–1961)

“Nihilism and Boogie Woogie at the ‘Badewanne’” (September 7, 1949)
in: Occupation and the Emergence of Two States (1945–1961)