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Display: 1-13 of 13 Results

Club Culture in Berlin after Unification (Retrospective account, 2019)

in: A New Germany (1990–2023)

Otto Dix, Center Panel of Metropolis (Triptych) (1927-28)

in: Weimar Germany (1918/19–1933)

Ivan Goll, “The Negroes Are Conquering Europe” (January 1926)

in: Weimar Germany (1918/19–1933)

Katharina Rathaus, “Charleston: Every Age Has the Dance It Deserves” (October 1926)

in: Weimar Germany (1918/19–1933)

In a Berlin Jazz Bar (1930)

in: Weimar Germany (1918/19–1933)

In the “Eldorado” Transvestite Bar on Motzstrasse, Berlin (1926)

in: Weimar Germany (1918/19–1933)

Christian Schad, Sonja (1928)

in: Weimar Germany (1918/19–1933)

Richard Forst and His Orchestra, “Hast Du schon Berlin bei Nacht gesehen” (1932)

in: Weimar Germany (1918/19–1933)

Queer Berlin (c. 1918-1933)

in: Weimar Germany (1918/19–1933)

Alice Gerstel, “Jazz Band” (1922)

in: Weimar Germany (1918/19–1933)

Max Beckmann, Nude Dance, from the “Berlin Travels” Cycle (1922)

in: Weimar Germany (1918/19–1933)

Article about the Hamburg Club “Existenzialistenkellerchen” (1952)

in: Occupation and the Emergence of Two States (1945–1961)

“Nihilism and Boogie Woogie at the ‘Badewanne’” (September 7, 1949)

in: Occupation and the Emergence of Two States (1945–1961)

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German Historical Institute Washington Deutsche Forschungsgemeinschaft ZEIT-Stiftung Bucerius
German History in Documents and Images
GHDI is an initiative of the German Historical Institute, Washington DC. The project was undertaken in collaboration with the Friends of the German Historical Institute, and with significant support from the Deutsche Forschungsgemeinschaft, the ZEIT-Stiftung Ebelin und Gerd Bucerius, and the Max Kade Foundation, New York.
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