Display: 26-46 of 46 Results

From the Dada Almanach (1920)
in: Weimar Germany (1918/19–1933)

Cover of the Dada Almanach (1920)
in: Weimar Germany (1918/19–1933)

Scene from The Cabinet of Dr. Caligari by Robert Wiene (1920)
in: Weimar Germany (1918/19–1933)

Paul Hindemith, “Shimmy” and “Ragtime” from Suite 1922 for Piano op. 26 (1922)
in: Weimar Germany (1918/19–1933)

Benita Koch-Otte, Rug for a Children's Bedroom (1923)
in: Weimar Germany (1918/19–1933)

Laszlo Moholy-Nagy, “Painting, Architecture and Gesamtkunstwerk” (1925)
in: Weimar Germany (1918/19–1933)

Franz Roh, “Post-Expressionist Schema“ (1925)
in: Weimar Germany (1918/19–1933)

Franz Roh (1926)
in: Weimar Germany (1918/19–1933)

George Grosz, Pillars of Society (1926)
in: Weimar Germany (1918/19–1933)

Erich Consemüller, Bauhaus-Scene (1926)
in: Weimar Germany (1918/19–1933)

Arnold Schoenberg, String Quartet No. 3 (op. 30) (1927)
in: Weimar Germany (1918/19–1933)

Stefan George (n.d.)
in: Weimar Germany (1918/19–1933)

August Sander on Photography (November 1927)
in: Weimar Germany (1918/19–1933)

Christian Schad, Sonja (1928)
in: Weimar Germany (1918/19–1933)

Walter Gropius, Dessau Bauhaus, View from the Southwest (built 1926)
in: Weimar Germany (1918/19–1933)

The Global Reach of the Bauhaus School (1919-1933)
in: Weimar Germany (1918/19–1933)

Raoul Hausmann, “The German PHILISTINE Is Annoyed” (1919)
in: Weimar Germany (1918/19–1933)

Wassily Kandinsky, “Dance Curves: On the Dances of Palucca” (1926)
in: Weimar Germany (1918/19–1933)

George Grosz, “Among Other Things, a Word for German Tradition” (1931)
in: Weimar Germany (1918/19–1933)

Walter Gropius and Paul Schultze-Naumburg, “Who Is Right? Traditional Architecture or Building in New Forms” (1926)
in: Weimar Germany (1918/19–1933)

Max Brod, “Women and the New Objectivity” (1929)
in: Weimar Germany (1918/19–1933)