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Biedermeier Chair from the Berlin City Palace, designed by Karl Friedrich Schinkel (c. 1829–30)

Johann Peter Eckermann (c. 1825)

Ludolf Wienbarg, Aesthetic Campaigns. Dedicated to Young Germany (1834)

Heinrich Heine: Excerpts from The Romantic School (1836)

Carl Blechen, The Interior of the Palm House on Peacock Island (1832–34)

Carl Blechen, View of Rooftops and Gardens (1833)

Moritz Daniel Oppenheim, Portrait of Heinrich Heine (1831)

Moritz Daniel Oppenheim, Goethe Surrounded by Illustrations from his Works (c. 1835)

Johann Nepomuk Nestroy (left) in The Evil Spirit of Lumpacivagabundus or the Slovenly Threesome (1834)

Biedermeier Chair with Inlay and Figurative Elements (c. 1830-40)

George Gottfried Gervinus, Excerpts from the Introduction to The History of the Poetical National Literature of the Germans (1840)

Classical and Romantic Cultural Styles: Prince Clemens von Metternich and King Friedrich Wilhelm IV of Prussia (June 1840)

The School of Architecture in Berlin (c. 1835)

Moritz von Schwind, The Falkenstein Ride (1843–44)

Peter Cornelius, The Last Judgment (1836–39)

Carl Spitzweg, The Poor Poet (1839)

Adrian Ludwig Richter, Rübezahl Appears to a Mother in the Form of a Charburner (1842)

At the Café Français in Leipzig (1844)

Festival in Cannstadt: The Story of Kaspar Hauser (1835)

Ernst Dronke on Popular Theater, Bourgeois Theater, and Court Theater in Berlin (1846)

Berthold Auerbach on his Approach to Village Tales from the Black Forest (1844)

Adolph von Menzel, The Balcony Room (1845)

Spa Concert in Vienna (1847)

Robert Schumann with his Wife Clara (c. 1850)

Goethe Commemoration in the Great Hall of the Grand Duke’s Library in Weimar (1849)